after the success of their first release, dsc – far reaching/too hard, holding hands is back with their sophomore outing and as before it is taking no prisoners. inspired by a nicolas lutz set as he warmed up fabric for villalobos a couple years back, the furnace has a break beat that will push the subs of any club to the limit. with every build and drop it increases in momentum until you are left with no choice but to throw down on the dance floor with unbridled passion. the furnace may be all about the big beat but it is no one trick pony. the tune has a depth and weirdness to it that will certainly keep you coming back for more… the sorcerer is a collaboration with good friend of dsc’s, guava. it is made up largely of recorded percussion and vocals at dsc’s studio in south london, which gives it a very special swing on the dance floor. the track lulls you into a false sense of security for the first third before finally letting the big freakiness out of the box. this is one for any dj that wants to leave clubbers going nuts and scratching their heads at the same time. both tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight…

radio: bbc radio 2 (zoe ball, alan carr & mel sykes, craig charles) bbc 6music (craig charles, steve lamacq, nemone), bbc introducing bristol. jazz fm, solar radio, radio one italy, radio krimi, wncw, radio pepper greece, radio nova portugal, kane fm, radio 1 prague, khol, ibiza global radio, 1brightonfm, d-radio kultur, ckia fm quebec, wutk 90.3, radio z burenburg, fg chic, press: wpmg, stereofox, 45live, monkey boxing, fleamarketfunk, the dutch guy, kbps, life support machine do you long for a time where you could head out have a good time and dance your pants off? well the allergies invite you back to the glory days of northern soul, high kicks and throwing yourself around the floor with their new single entitled to that . it s an up tempo stomper with feel-good soul sensibilities that would be equally at home at the wigan casino as it is on today s festival circuit. following on in the same vein that made their 6 music album of the day record – as we do our thing so popular, they continue to reshape classic sounds for the modern dancefloor. talented soul songstress honey larochelle provides the sass in this peppy number co-penned with the allergies by regular collaborator andy cooper (ugly duckling). this second single taken from their forthcoming album push on shows they ve lost none of the verve that made their debut so good, and gives another taste of what to expect from the lp. they balance out the release nicely with a steady groover in the shape of get down on you – a steady funk groove with a catchy bassline and the usual signature flair touches from the guys to keep the crowds entertained.

leading lady and artistic talent deniz kurtel returns to crosstown rebels to explore new production sounds, venturing deeper into the realms of dub and beyond with the fifth house. it’s also with huge honour that the release includes a stunning remix from highly sophisticated producer trevino following his recent passing. since her first album music watching over me was released on crosstown rebels back in 2011, deniz kurtel has continued to push boundaries creatively through her art and music. focusing on led light installation, deniz has travelled the world with her stunning live show, which incorporates both of her talents. her second album the way we live dropped on wolf + lamb in 2012 which received high acclaim. more recent releases have also appeared on rumors and no.19. marcus julian kaye is better known by his drum and bass stage name marcus intalex, and also his house and techno pseudonym trevino. he founded the record labels soul:r, revolve:r and birdie which served as a platform for his music with notable recent releases also on the likes hotflush, the nothing special, aus music and klockworks. such a highly respected figure in the industry, many have been shaken by marcus’ passing and in his honor all profits from his remix will be donated to the charity of his family’s choice.

this summer path records launches its 2017 campaign with freshly recorded material from reade truths fate 258 moniker. the games with blades ep delivers an epic dose of material once again deeply rooted in the mysteriously seductive sci-fi themes the artist and label are well known for. games with blades visits the dystopian subject matter of the ultra-classic bladerunner and furthers reflection upon its themes of immortality, empathy, and the femme fatale. much like 1999s highly sought digger-classic why 2k this ep provides an enticingly varied mixture of flavors. deep and heavy techno, raw and rhythmic house and funkier electro styled breaks are all on display alongside fate 258s heavy bed of intricate sample-work. path records are leaders in the left field, providing dance floors with unique, conceptual future-classics that sublimely push a futuristic vision.

rdv, the new imprint from french dj & producer molly, presents its first release, from prophets of a new generation (aka michael zucker & pete an). rdv , the abbreviation of« récits de voyage » will simply be a meeting with artists that i have crossed paths with during my travels - a platform for my very talented friends, artists i really like, and also music from myself. this project was in my mind for so many years. it was not until now that it felt like the appropriate time to realize it, but i feel ready now to help push new talent & music from people i love.- - molly

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons and a remix from joton.

ruff stuff returns to their own label and are proud to announce a new 4 track ep. untitled04 is the result of different experiments on the sound and introduces a novelty for the label: the first official remix by the lovely italian duo black loops. “never ending” opens the a side with its raw groove, a hypnotic pad warming everything up and a vocal that will drive the listeners to unexplored territories. “m.a.m.t.” showcases the most familiar sound of ruff stuff: warm techno stabs on a straight groove filled with a single vocal and a synthetic arpeggio in the second part. on the b side the sound changes its shape with “flying”: a mixture of rough grooves, disco samples, female vocals and a touch of acid. the remix by black loops brings the track back to very house territories chopping the original samples more and filling them with a solid beat and shining hats. just put the needle on, push play and dance! vinyl only, limited copies.

lostsoundbytes is a brussels based young and fresh producer. he is one of the owners of -vaste choses-, an atypical music label that has released several tapes. his previous release was a split record on -land of dance records-, named -from sci-fi to lo-fi-. on willi s adventure, he worked with machines and push all his gear beyond the limits. raw and weird chicago inspired acid tracks, distorted voices that could make a hole in any heart, slow and oppressive industrial tunnel. keep an eye on him because lostsoundbytes is a prolific and tireless musician , he could soon play near you... enjoy.

a burning desire to just fuckin rhyme. on my last couple of albums i challenged myself with regard to formats, trying to push the envelope as far as what exactly constitutes a rap record. talking (bleep) and problems were my last two lead singles, both markedly unconventional. i adore both of those songs and i adore both of those albums specifcally for the new creative fulfllment i enjoyed while making them. there’s much more of that to come, but after spending 3 years outside of the box i was left with a burning desire to just fuckin rhyme. thats veins. - homeboy sandman

field recordings from the cook county water table” ist brokebacks debütalbum aus dem jahr 1999. das vinyl ist seit über einer dekade vergriffen und wird nun seit langem erstmalig wiederveröffentlicht. das album enthält gastbeiträge von noel kupersmith (chicago underground), joshua abrams (natural information society), rob mazurek (exploding star orchestra, chicago underground), mary hansen (stereolab), john herndon und john mcentire (tortoise).

banoffee pies return with the second in their beats series. another record featuring friends and family with label members slim. and simiah both dropping 4 sample heavy cuts, more original vocal work from the blossoming merryn jeann, and local bristol talent with a beat maker named crate head and rodn3y. mesmerizing melodies pull this rolling beat tape together with another 12 track selection of dusty head nods for your listening pleasure from a to b. a new journey for the banoffee pies camp that continues to push and collaborate musical boundaries in all directions. for the music and lovers. living room jams made in smoke. banoffee xx

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars – were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers.

danny scrilla returns to cosmic bridge records with a full-length project inspired by a desire to experiment outside of club conventions. while cosmic bridge has become known for forward-thinking, dubwise dancefloor mutations, label founder om unit has long been a fan of ambient and synthesizer music and ancient musical box offers a current take on the format, with 16 tracks of lush electronic compositions and meditations. fittingly, ancient musical box also marks the label s first cassette release.

ancient musical box was written over the past year as a direct reaction to danny s frustration with club music and the inevitable cynicism that can sometimes arise from prolonged contact with scenes, styles, and genres. i wanted to create something without any ulterior motives, he explains. as the tracks accumulated, the project took on a personal dimension and therapeutic qualities. intent on not over-thinking or polishing his ideas, danny created something that is less album and more a collection of emotions in their rawest form.

despite not being intended for the dancefloor, the music on ancient musical box still bears clear relations to danny s catalogue in its minimalist approach and use of melodic motifs. you can hear it in the hazy crescendo of night sweats , the wobbly funk of pangalactic gargleblaster , and the gentle keys of talisman . alongside these are more experimental moments, seemingly fragile in their simplicity but hiding a depth that reveals itself in context: the delicate loops of the title track, the vibrations of cryopod , the melancholy progressions of too little too late .

ancient musical box is the sound of a producer remembering that the best ideas are the simplest, in the process pointing to new directions.

anno stamm is the revered 4/4 branch name of berlin’s lars stoewe. as anstam he has been at the forefront of dark beat science, touring extensively with the likes of moderat and thom yorke’s atoms for peace and has appeared at festivals ranging from mutek and ctm to sonar and dimensions. ‘annothek’ is his second ep for macro. the three tracks build on the same set of sound sources and offer three different views at their glowing core. elastic basslines pierce through a bed of sweet and warm chords, surrounded by sizzling noise percussion. definitely on the more introspective side, the three cuts offer a special emotional depth while maintaining a bit more than just enough oomph to get the action going. late night and early morning are the possible settings. it’s a declaration of tender love that comes with a gentle push towards the closest darkroom.

hoel’s contribution to this disorientating piece of engineered sound sculpture, is imagined as a schizo-paranoid state of delirium. voices whisper over evolving modular phases of heavy, distorted nothingness. it is a full theatrical construction featuring a haunted choir conducted to sing in the producer’s own unique voice.
the second side features two tracks by label debutant simon marchesini. subtle, brooding almost-there beats reach from underneath, intertwining themselves with a rich sound carpet of complex poly-rythms and twisting vortex-like pads. marchesini seeks to push sound to the very limits of the spectrum.

nach dem grossen erfolg von grey (kompakt extra 93) im letzten jahr kehrt koelsch zu speicher / kompakt extra zurueck – die single, die alle ueberraschte als sie den daenischen kuuenstler ins tagesprogramm britischer radiosender katapultierte. neben dem beginn eines eigenen bbc1-formats hat er sich als dj enorm weiterentwickelt, was zu residencies in koeln und ibiza fuehrte. koelsch hat außerdem sein eigenes plattenlabel ipso an den start gebracht: eine famose kollaboration mit michael mayer machte den anfang, mehr ist auf dem weg.

after studying dance, kirikoo des aka nsdos, felt the need to create his own sound in order to explore movement. this is how he started imagining a whole new sonic order, an alternative approach to music – through abstraction. nsdos can’t restrain himself to existing technological tools and softwares, he prefers creating his own mediums: futurist instruments made of old audio converters (carte son), gameboy emulators, pieces of metal dismantled and weld together giving form to surreal machines. surrounded by his hybrid tools, nsdos unravels the rectilinear anatomy of techno music. textures are exploded, sounds mutilated, and brought back to their essence. this sonic odyssey, nsdos initiated in his native town paris before exploring it deeper in berlin – a city that he sees as a giant laboratory in which he experimented the field of possibilities. a huge admirer of the dada and lettrism movements, nsdos can be considered as the offspring of a diy culture. he ranks among his icons artists such as christian marley, stelarc or donna haraway who gave him a desire to push the limits of the body, objects and sound. his alternative vision and the way he reinterprets technological tools have made him one of the most important techno hackers of his generation. nsdos doesn’t create, he regenerates and transmutes music. his creative path is empirical, sometimes organic as he puts sensors on insects, his public in trance, trees – everything that comes on his way – and transcribes their movement into sounds. after three maxis, lazer connect in 2013, female guest list in 2015 both signed on parisian music label clekcleckboom recordings and money exchange published in 2016 on his label standalone complex, his new album, intuition, intervenes as the completion of his organic vison of music. inspired by meteorological stations and according to a principle of « bio feedback », nsdos surveyed the movements of nature, turned into data before translating them into sounds, textures and rhythms. the album comes with a series of 5 videos detailing the creative process of the artist – from recording in the middle of nature to the studio. in intuition, nsdos splinters the boundaries between genres and places techno as a matrix. his album reveals his sense of discipline, one that he draws from his passion from japanese dance buto, as well as his interest for biology, his experimental aura through industrial, sometimes nearly metal sounds. all these elements form the essence of whole new movement, unclassifiable, of which he constantly pushes the frontiers.

mainstream-pop einer vergangenen Ära: mit großer strahlkraft neu interpretiert.
die vinyl-lp erscheint inklusive album-cd.

unafraid to push boundaries, ephemerals third album, egg tooth, explores new directions: their modern soul and r&b songs now tinged with flavours of jazz, afrobeat, psychedelia and bluesy cinematic orchestral arrangements. with influences ranging from nina simone to kate tempest, steve reich to alice coltrane, egg tooth sees songwriter hillman mondegreen and singer wolfgang valbrun combine beautifully, marrying direct and honest lyricism with powerful vocal delivery. it s an album with recurring themes of rebirth, love, world politics and philosophy in a varied and eclectic collection of songs - an eclecticism perhaps a reflection of ephemerals diverse backgrounds: the singer wolfgang is a new yorker living in paris, the writer in nottingham, the sax player lives in france, while the keys, trumpet and rhythm section are in bristol, sussex and london.

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

stockholm-based mikael jonasson is a long serving dj and producer who continues to push the boundaries of modern club music with his amazingly crafted techno productions. with past releases on labels like drumcode, figure, octopus recordings and phobiq, mikael has earned the support from the key players all around the globe and now makes his first appearance on darknet with three quality cuts on dissonance ep , also including a remix from austrian techno-rave master niereich.

3rd album by philly based hiphop-band the roots, original released in 1996.
180gr pressing 2017 re:issue, incl mp3 download voucher

phi002 returns to your favourite record store with a vengance. the pragmatism ep opens with a subtle yet catchy electro rattle crawling from a wet basement, soon opening rusty iron doors with an -early 90s electronica- sign with the help of a massive atmoshperic push. dial-up terror manages to recall the boundless sounds of pioneering techno days only to give hand to the playful and jacking afterhours stomper that is no - fun + compute. crossroads between ambient and electro rarely sounded as dreamy as with timeless ultrasonic sensei particle and its kaleidoscopic arrangements, that might have landed on of your favourite early warp releases. phi002 saves best for last with cinematic hypnotism called memento mori, a perfect closure for a colourful release that carves a soundscape deeper than trendy genre names.

blind box 005 by subb-an. remixes from dana ruh and julien sandre & konstress as blind box.

techno from a new argentine producer. 4 cuts of grooves and moods for the heads and deeper dance floors. the 4th cut releasing ourselves shows luis luchetti to be willing to push the boundaries of a dance track in ways few producers could or would. when your smile reaches me is emotive techno of the highest order.

black truffle presents people pleaser, the new lp from nantes-based drummer and percussionist will guthrie. initially rising to prominence in australia as a drummer in the fields of jazz and improvised music, guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electro-acoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations and aggressively high volume. recent years have seen a return to the drum kit in both solo and collaborative work, in performances where guthrie uses duration and endurance to push at the limits of his formidable technical abilities as a player in the free jazz tradition, working variations on short rhythmic units into an endless flow of non-metered pulse.

»battlefield 1« ist ein erfolgreicher ego-shooter aus der battlefield-reihe, der vom schwedischen computerspielhersteller dice produziert wurde. nun erscheint für alle gamer und vinylsammler die limitierte 180 gramm vinylversion des von johan söderquist und patrik andren komponierten soundtracks.
(achtung - kein downloadcode enthalten, coversticker ist falsch!)

serious long player business from boxwork. 14 tracks that move in and out of ambient and forward thinking electronic territories. comes loving packaged from the shades family.

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

three, floor-minded tracks bind together to form a mesmerizing groove unlike any other. ranging from the bouncy funk of “scandal,” to the hypnotic broken techno of “time,” to the shuffling trip of “dancemine,” this is a true document of an artist unafraid to offer the full spectrum of their musical personality, with an undeniable compulsion to push forward.

the year 2016 cemented dext s position in the boxes of discernible djs around the globe, by putting out a string of material from the likes of hodge, bodyjack, mella dee, endian, lo shea and callahan. we kick off 2017 with a bang with a killer 12inch from the fast rising otik. hailing from bristol by way of london, he has steadily been building an artillery of heavy club hitters on labels including 17 steps, push & run, infinite machine, and durkle disco, plus remixes for the likes of dusky, rosie lowe and pixelord, it s clear to see his ascension is moving at a strong pace and we are proud to be able to drop this for you we won t say much about this ep other than it fuses everything we love here at dext: hard hitting funky drum programming, super heavy sub basses and shades of rave, house and techno. backed with two remixes one from talented newcomer erosion flow who has released on martyn s 3024 label in 2016 and another mix from uk artists who are synonymous with writing club bangers mak & pasteman.

deepblak’s chief alchemist aybee releases his fourth full-length studio album, the odyssey. as befitting its grand title, this newest long-player finds him concerned with personal journeys: both the personal one that has brought him to this point - living in berlin, 15 years since founding deepblak in his native oakland - and the one that beckons for him personally and creatively in future: aybee sees himself as being halfway up a mountain, looking back on where he has come from, and to where he will be headed next - both concepts play a profound role in the emotional textures of the album, which in true deepblak fashion draws from jazz, deep house, techno, hip hop, blues, experimentation, cinema, space, time and infinity.

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

adam port and jimpster have had a special kind of ‘virtual’ relationship the last few years with a mutual respect for each others productions and output of their respective labels. keinemusik, which adam runs alongside rampa, &me and reznik, has grown into one of the most consistent and hottest out there right now with every release creating a big splash and bringing magic to so many dancefloors around the world. adam recently remixed jimpster’s eel pie island to devastating effect bringing his own deep, late night atmospherics to the original and creating one of 2016’s underground hits in the process. so now we’re very pleased to welcome adam port (alongside legendary uk artists stereo mc’s) for a full release on freerange in the form of changes. opening the release we have adam’s own remix which sets the tone with a subtle and gently building groove providing the perfect backdrop for the stereo mc’s esoteric vocal. this lesson in restraint shows why adam’s productions work so well on big systems, letting all the focus shine firmly on the vocal creating an intense atmosphere with not a single huge breakdown in sight! next up we have the original of changes which takes a more electro approach with a simple bassline and crisp hats and once again allowing the vocal space to take centre stage for a deep and memorable track with a message. finally we have a remix from our own jimpster opts to push in a completely different direction. shuffling up the groove and laying down a repeating rhodes riff we’re treated to an altogether more soulful and less stark version making the perfect compliment to the the package. this one makes us think of his remix of osunlade’s momma’s groove which is no bad thing we feel! enjoy!

wlderz is newcomer duo on skryptom. wellcome cyril and jeremy aka wlderz for your this first package of huge techno weapons. this is a pure powerfull record of techno but deep and melodious in the same time. 3 huge tracks who give us a first panel of wlderz possible direction and talent. to push farer this great moment of techno, keith carnal deliver us an efficient techno approach from sad industry, huuuuge remix, enjoy

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.

resonances which push our consciousness to the most hidden corners of our mind, which remains hidden but latent, like a powerless onlooker of the generated activity, contemplative, reflective on the experience acquired. a new era is coming. vinyl only!

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons and a remix from ben gibson...

the first 3 releases from warm tapes adjustment all bundled up for one special price!

very worthy 180g 2x12? pack - limited and only once per year, immediately sold out in the last years! collectors watch list: the standout tracks of the second year of heist get remixed by the label artists of that year.

tomahawk records is a new label that resists genres and hones in on the curation and sound of new artists. the label is keen to push undiscovered artists out into the periphery and give them the support to help grow as individuals.
the first release which is just round the corner is by the australian duo anthony fade, two hidden gems found on soundcloud. their process is a simple combination of hardware and software instruments and heavy use of ambient recordings and various samples. the ep titled “like that” contains four tracks of late summer vibes, dreamy vocals and a massive dose of energy getting ready for winter.

paul nazca is back after his strong first skryptom 19, with a huge new techno masterpiece. this is a pure dancefloor and powerfull techno, 3 huge tracks who give us the way that paul kill us on a dancefloor. it s efficient but he doesn t forget his usual way of puching modern skills. to push farer this great moment of techno, electric rescue give us an other efficient techno approach from exev, enjoy !

with jealous god, eerie and l.i.e.s on his c.v. they don t come much more approved that domenico crisci, but few would be prepared for the onslaught that leaps out of this first release on summa cum laude. the violinist champions distortion as a weapon, running everything through a fuzz pedal in a most unrelenting of fashions. its certainly not for the feint-hearted, and all the more powerful with it. meanwhile return would sound brutal in any other context were it not for what came before, all slamming, grubby drums and the noises that splay off them. blacklord them manages to push the vibe further back into the red with a searing throwdown to finish the ep off in a masterful display of intensity.

founder of modern obscure music, pedro vian, drops his debut longer player “beautiful things you left us for memories”. having previously released on well respected labels such as hivern discs and mathematics recordings, vian brings things in-house, with 12 tracks that push beyond simple categorisation. travelling through abstract, sonic labyrinths, taking in ambient, techno and even pop, this release is a kaleidoscopic work that demands the listeners undivided attention.

the first ep coming from london s brand new label no speakers. eman & el prevost go in with wise man set for release mid-spring on limited 12- and on digital stores. featuring cuts from south london’s very own rob perry, kore vex and the aclaimed mark broom. mark broom is a man that needs very little introduction, a truly prolific artist, with a myriad of production credits to his name. mark draws influence from the chicago s acid house sounds of old bringing a classic feel to his wise man remix kore vex’s blend of dark twisted sounds will take you on a journey of deep dubby techno and house filled beats. he continues to push his music production for a unique and distinctive, high-quality sound which comes to the foreground in this deep soul mix of ‘wise man’. rob perry takes a new step in this production, putting a spin on his signature style of deep tech house with a new underground direction.

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

mmusic is a modern day music vinyl imprint, paying a 12- respect to quality productions, compiled together, for a must have vinyl record. we got the groove on for this bassline, rhythm packed collection, enjoy!
limited to 300 copies.

zk bucket gathers some like minded friends and push forward zaun records as one of the most forward thinking labels i know… outsider basement vibes with a raw attitude.
live recoreded at hardware jams. each copy coming in a unique handmade silkscreen sleeve.

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined